13 Rules For Realizing Your Creative Vision

I find myself needing to shift back and forth during the course of a film project – from being a pirate and letting the chips fall where they may (The ‘Done Manifesto’ stage) to the obsession stage where I am looking to polish and perfect.

If you have ever worked to launch a project or product, you know how different it feels than when you’re working on something that is well-established. I like this “Done Manifesto” as a way to capture the need to work and think differently in the wild days of beginning something new – like at the beginning (and at various stages) of a film project.

Click here to see the full graphic from FastCoDesign:

Infographic Of The Day: 13 Rules For Realizing Your Creative Vision | Co. Design.

But the funny thing about realizing a creative vision–whether it’s a startup or a personal project–is that it requires a set of working rules that is almost the opposite of the slow, careful deliberation that typically rules our working lives.

Examples of principles they suggest:

#1. There are three states of being. Not knowing, action and completion

#8. Laugh at perfection. It’s boring and keeps you from being done.

#10. Failure counts as done. So do mistakes.

In a filmmaking process, I’m trying to think of the dividing point when a project moves from the startup phase, where rules like this apply, to the stage where something is established and you need to begin to shift your thinking. I know that brainstorming and the first stages of scripting benefit from these rules. Even the first stage of rehearsals with actors and the first assembly edit of the film.

I find myself needing to shift back and forth during the course of a film project – from being a pirate and letting the chips fall where they may (The Done Manifesto stage) to the obsession stage where I am looking to polish and perfect.

If you’re an indie filmmaker, you probably need to learn to function in both modes. Not always an easy thing to learn.

Author: TomK

I'm a husband, father, and adopted child of God. Vocationally, I'm a visual storyteller; that means filmmaker with all its possible variations as the world of visual storytelling grows and changes. I like to tell and pass on stories that help people find the place where their deep satisfaction meets the others' deep needs.

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