I was prepping last week for a short trip to Asia. As I was sorting gear, I thought I’d write a bit here about what I chose to take, and why. Here’s the layout.
One of the things I’ll be doing on this trip is introducing co-workers to opportunities to use mobile devices and simple gear to create compelling content for their varied audiences. I decided to bring some examples of gear from what I’ve collected over the years.
I want to over the key technical needs for video, audio, lights, and mounting a mobile as a camera. I also want a kit that will fit in a small camera bag that will then slip into my normal carry-on. I’m thinking one-person-band like many of us in the mojo world.
Full Rig: I am thinking of mostly run-and-gun shooting, with lots of handheld shots, easily transported, but also something I can set down for a longer shot, like an interview or event, if needed. Of course, I might often choose to strip this down to a few pieces for even more mobility.
My kit ended up being mix-and-match from different manufacturers, but I’ll explain why I chose what I did and spec some models if you want to check them out for yourself. I’m not sponsored by anyone and this is all stuff I’ve picked up over the last few years. There may be some new options that you can also check out based on this list. Create your own “ideal kit.”
Base: When I want to set this all down for either a steady shot or just between shots, a nice small tripod is essential. I’m using a Manfrotto Pixi Mini tripod for this one. It’s beautifully designed, very compact and solid. The best part for me is how it feels when I fold the legs and handhold it as a support. It also has quick, one-button leveling. It’s not as infinitely flexible as something like a Gorillapod, but it’s a neater package. If I know I’m going to need to mount my camera on a tree branch or light post, I’d bring my Gorillapod.
Phone Mount: For traditional (horizontal) video production, I really like this mash-up. I’m using a Shoulderpod H1 handle, topped by a Movo PR-1 smartphone grip rig. You can see that I’m also using the Shoulderpod short plate arm when I want to have a mic and light mounted to the rig. I love the Shoulderpod gear. It’s elegant and very high quality. The feel of this handle is great by itself and reminds me of my film shooting days with Aaton cameras and their famous wooden grip. Of course, Shoulderpod also makes a nice grip for a phone as well and it comes as a kit with this handle. But their clamp (at least the original model I have) is missing one important feature – a cold shoe. If I want to go really compact, with just a phone and a small shotgun mic, the Movo clamp has a convenient cold shoe to let me just mount the mic (or anything else) up top, and I’m ready to go. With a Shoulderpod and other clamps, I have to add an arm. So, kudos to Movo for adding the shoe, and a handy bubble level. Maybe it’s not as pretty, but I’ll take it. (Movo’s handle, on the other hand, is a short little thing that’s harder to hold. Go figure; mix it up.)
Audio: For on-the-go news and documentary filmmaking, or for capturing b-roll shots, I want a good external microphone. This one is Rode’s Videomicro mini shotgun mic (with their SC7 cable to make compatible with a smartphone.) It’s a big improvement on the phone’s mics and well worth the investment. I can mount it on the phone clamp or on an extension arm, cage, etc. Connecting the mic to a phone like my Google Pixel 2 requires adding a 3.5mm to USB-C dongle. That’s becoming more common. I also add a Rode SC6 adaptor. I like to monitor audio while I’m filming, especially for interviews. The SC6 lets me connect two mics – like a shotgun and an Aputure A.lav microphone (shown in the gear layout) or two lavalier mics. Plus, I can monitor through its headphone jack.
Lights: I generally shoot with existing light unless I’m making a scripted, narrative film. But having a small LED light can be very helpful as a supplement for news and doc shoots. This Aputure AL-M9 is small, rechargeable, color-accurate, and dimmable. Their color correcting gels are pretty lame, but, oh well. I would bring a larger LED panel if I’m really trying to light something and so more color adjustment.
Case and Lens: For a compact and really solid kit, I really like the Moment photo case. They make them for some of the higher-end phones. I don’t like to mess with clip-on lenses if I’m trying to travel small. Again, I’m cheating here by using a Moment case with a Sirui lens. (I’m killing my product endorsement opportunities here, I know!) When I got my Moment case for the Pixel 2, I also ordered the Moment 2x tele lens. That first version from Moment was really pitched as an ‘art’ lens because it was so soft at the edges. (Their new version looks really sweet and they’ve re-engineered the lens for much better image quality, so it’s worth checking out.) But, when I needed a tele lens, Sirui had a 60mm (2x) tele lens that looks great and mounts on the Moment case. If you are looking today, I think either lens is a good choice – with Sirui being a more budget-friendly option. I carry the tele lens most of the time and not always a wide angle because the Pixel 2 is pretty wide already. This is still for the world of single-lens phones; the add-on lenses do interesting things with more recent multi-lens cameras, so check them out.
There you have it – my running rig. I build it up and down as I need it. And it fits easily in a small camera bag.
This is what’s in my closet and carry-on for simple but effective shooting. I bet there are things you may like and recommend. What say you?