Filmmakers working together to open hearts

I posted a little while ago about a short film project called “Street Language” that we are producing here in Denver in the next couple of months.

I posted a little while ago about a short film project called “Street Language” that we are producing here in Denver in the next couple of months. We just launched our IndieGoGo campaign to raise a little money for the project. Most of the funds are coming from in-kind contributions by our professional and student crew members, community partners, and others who believe in the project.

Click the image, or HERE to see the campaign on IndieGoGo.

Really, it’s more than a film project. We are adding in transmedia elements like deeper storytelling pieces on social media, development of other resources for use by non-profits who will use the film later, etc.

If you read this, check out the campaign and please share it with your friends!

Non-Professional Actors?

…I am looking for that spark of un-self conscious truth in their voice, their eyes, their body-language.

I’m in the process of casting for “Street Language“, a short film project I’ve written. It’s a no/low budget project meant to serve as a mentoring experience for emerging filmmakers here in Denver. The final film will be made available to non-profits who work in urban areas with at-risk youth, the homeless, and other disenfranchised communities.

As we’ve been auditioning actors for the two lead roles I have been wrestling with my priorities. At the level we’re seeing (and paying), of course, their experience is limited. Some have had mostly school theater experience, perhaps a few student films or community theater. They are budding, but not fully blossomed yet. So I, as a Director, must look deep to see their potential.

In working with non-professional or less-experienced actors a wise friend, Christopher Bessette, told me he looks for moments of truth. We have the advantage stage directors don’t have; we can edit. An actor may not be able to carry a continuous scene with complete truthfulness and realism. However, we can see the truthfulness of a performance in a certain look, a single line delivered without self-consciousness or ‘acting’.

When I was editing our last feature, The Enemy God, I spent much of my time matching performances over several takes between actors who had never acted before – they were indigenous Kekchi Maya people from the jungle. In the end I heard comments in screenings of the film about how great the acting was. If you looked at raw takes, you would be discouraged. Indeed, some of our crew members commented that we weren’t getting anything worth using. One of those same crew members, our DP, was floored when he saw the finished film. “That wasn’t what I saw!” He was convinced because, in the editing process, we found the moments of truth in a rough performance by novice actors. I don’t recommend merely saying “We’ll fix it in post.” but sometimes there is truth to that phrase.

When I’m casting, I am looking for that spark of un-self conscious truth in their voice, their eyes, their body-language. If I see that, I can have more confidence that I can draw out a performance that will bring out a truthful story from an actor who is giving us their passion and commitment but may not have the acting experience.

What Will It Take To Open Your Heart?

“Street Language” is a short film, now in pre-production.

A homeless teen and a businessman dying in an alley; their only hope is each other in Street Language.

Jacob lives an unseen life in the midst of the crowded city. When he stumbles upon Michael, bleeding in an alley, he must decide whether he can take the risk to help. In this moving short film story, a teenage street kid finds the strength to open up his life after a wounded stranger opens his eyes to the possibility of love and beauty around him.

Their journey together opens up both of their lives to the possibility of love and hope for the future.

We’re in pre-production on this short film here in Denver. I wrote the script and will direct the film. Chloe Anderson, of Epicenter Pictures, is producing the project as part our shared mission to mentor emerging filmmakers. Our crew consists of some seasoned professionals as well as students who want to hone their craft.

We plan to make the film available to other non-profit organizations who deal with issues of homelessness, hopelessness, and teens-at-risk.

Security

Following Jesus will mean surrendering the power that masquerades as security in order to love the neighbor and welcome the stranger.

I read this quote this morning and it really connected with a short film I am preparing to shoot in July. The story concerns Jacob, a young man who lives an unseen life in the midst of the crowded city. When he stumbles upon a businessman, bleeding in an alley, he must decide whether he can take the risk to help.

Whether we live in the inner city or the suburbs, we must constantly ask for the strength to extend ourselves for others. It goes against our natural inclinations. As Scott Bader-Saye says,

“Following Jesus will mean surrendering the power that masquerades as security in order to love the neighbor and welcome the stranger. It will mean avoiding the safe path in order to pursue the good. But in a culture of fear, we find such risks all the more difficult since our natural inclinations lead us to close in on ourselves when we face danger. How can we maintain the posture of the open hand toward a world that scares us?”

Maasai Worship – AISIAYAKIYE

The Maasai of East Africa share their stories in song. The En-Kata Choir in Tanzania sings their beautiful music to their Creator.

The Maasai of East Africa share their stories in song. The En-Kata Choir in Tanzania sings their beautiful music to their Creator. This is just one song of ten for which we will be helping to make music videos so the songs can be shared all over East Africa. Enjoy!

Click here to play the song: Aisiayakiye

AISIAYAKIYE  (I Will Serve You Lord)

I will serve You, my God and Savior

I will not leave You, oh Father

I will not leave You, I will not stop serving You

I will serve You, my God and Savior

I will not leave You, oh Father

I will not leave You, I will not stop serving You

Even if troubles come on earth

I will serve You

Even if the cattle are all gone

I will serve You

Even if I go without clothes

I will serve You

Even if severe hardships come

I will serve You

I will sing to You, my God and Savior

I will not leave You, oh Father

I will not leave You, I will not stop serving You

I will sing to You, my God and Savior

I will not leave You, oh Father

I will not leave You, I will not stop serving You

Even if severe hardships come

I will serve You

Even if I go without clothes

I will serve You

Even if the cattle are all gone

I will serve You

Even if malaria comes

I will serve You

I will sing to You, my God and Savior

I will not leave You, oh Father

I will not leave You, I will not stop serving You

I will sing to You, my God and Savior

I will not leave You, oh Father

I will not leave You, I will not stop serving You

The En-Kata Choir’s music is available on iTunes: Hope of the Maasai (Mautmaini Ya WaMaasai) by the En-Kata Choir

Song posted here courtesy of the MAPED and Kahawa Records