Fingerprints of God in ‘Secular’ Film – Article

Can we find the fingerprints of God in the stories of our culture?

There is a great book by Don Richardson called “Eternity In Their Hearts” that talks about the ways every culture has remnants of God’s truth remaining from creation. The book approaches the subject from a point-of-view of cross-cultural missions, but I find that it helps me to think about how my own multi-faceted culture also bears the fingerprints of God in its stories, even if God is rejected on the surface.

TEG PosterOur film, The Enemy God, tells the story of the Yanomamö people in the Amazon and  how there were seeds of truth about God present in their own traditional stories. However, these truths were twisted until they became a curse to the people.

Rather than merely react and shun the creative work of our culture, is it possible to use the stories and myths and passions that we find in Hollywood and independent films to point people to Christ? The article below by Garrett Brown encourages us to look into popular film to see the points of connection, the ways ‘Common Grace’ may be found, as a means to build understanding and relationship. These conversations, in relationship, may be the beginning of a journey to faith, even if the starting point of the story is despair. Perhaps, especially when the story begins with despair?

Article: Temple of the Unknown God

What ways do you see bridges to conversations about God in the popular culture around you, in the lives of your neighbors and friends?

Collide Magazine | A Voice for the Voiceless

I’d rather people at large be influenced by my work, not just Christians.

Great article on Collide Magazine about a photographer who uses his talents for international music stars as well as earthquake victims in Haiti. I am inspired when I see truly gifted people with a larger picture of how to use their gifts.

via Collide Magazine | A Voice for the Voiceless.

Cowart said he feels that Christians, especially in the creative field, are called to reach others by presenting work that is excellent and compelling. Focusing on his life calling to make a difference in the world with his work, Cowart is continually sharpening his skills as a photographer and delving into new projects. And though he loves the church and the strong community within, he also wants his work to impact people from all walks of life.

“I’d rather people at large be influenced by my work, not just Christians,” Cowart said. “For me, it’s about being progressive and using your gifts to make an impact.”

God’s Work in God’s Time | Christian Independent Filmmaking

As a Christian involved in filmmaking, what do I think about success and failure?

[This article was originally posted on HOSFU, a Christian Indie Film site. Unfortunately, that site is now shut down and some of their pages are dead. So I thought I would re-post my article here. It received a lot of comments when I posted it so I think it’s worth throwing into the blogosphere again.]

The question: As a Christian involved in filmmaking, what do I think about success and failure?

God’s Work in God’s Time.

Do you ever find yourself anxious to see the fulfillment of something you feel God has promised? In our particular context as filmmakers, we are part of projects that can be huge, complex, time-consuming, and expensive. Personally, I’m working on a film project that began almost ten years ago and we expect to have impact for twenty more. “The Enemy God” film took us four years of preparation and fundraising, accompanying years of terrible political opposition from a foreign government, the collapse of a well-respected ministry, and then we finally were able to shoot it! Then it was on to post.

I can’t tell you how many times some well-meaning Christian told us that it was obvious to them that God ‘just wasn’t blessing it’ or that ‘if God were in it, the doors would just open’ and our lives would be easy. Over the years, though, we have seen miracles that have matched the obstacles. Now we are distributing the film, and the challenges continue – awards and lots of pats-on-the-back, followed by being flat broke and with a few cold shoulders from people we thought would be the biggest fans.

American Christian culture tends to interpret God’s will by what we term, “open doors.” We all get excited and praise God for amazing stories where an underdog Christian film finds popularity and, even better, box-office success. We tend to say things like ‘God is really blessing this film and we’re seeing lots of fruit from it.” And the converse is also true; if things don’t seem to be progressing, we may interpret it (or be told) that what we are attempting is not His will. If a project doesn’t gain great audience numbers, perhaps God isn’t blessing it. But is this a true way to discern things? In our Christian film community here, what do we think about success and failure?

Here are some thoughts I have had from long years with both in my ministry.

–       Sometimes, things that are in line with God’s will and purposes take more time than we expect. “The Lord is not slow in keeping his promise, as some understand slowness” 1 Peter 3:9. Place yourself in the shoes of a devout Jew during the 400-year period between God’s last spoken prophecies in through the prophet Malachi and the appearance of Jesus the Messiah. You know the promises, are devout in your prayers for Messiah to come, and you believe that is it God’s will to save His people and to draw the nations to Himself. Yet there is a delay – long delay. Many generations die waiting. Do you think others talked a lot of trash about such beliefs? Like Job’s friends, religious people often have religious answers that seem to make sense and to be based in truth about God. However, like Job’s friends, their answers just happen to be wrong.

–       It is possible for Godly people to spiritualize activities that are done mostly by our own power and effort and skill. What I mean is that very talented people are capable of creating impact, even godly impact, without much dependence on God. I’m not about to point fingers or name names, because I understand that it is difficult for me to fully understand my own motivations and the source of the power and skill I try to demonstrate. Sometimes I am fully aware of God’s presence and overwhelming power as He performs tasks through me. Other times, I have to admit that I am not so sure. I believe I am being faithful, but I can lose the clarity about who is accomplishing a task. What’s more, I know I have worked ahead of (or sideways to) God on many occasions. I don’t think I’m the only one who finds this to be true in my life. My conclusion, therefore, is that I will be slow to judge both the “success” and the “failure” of work done in God’s name by my brothers and sisters. I believe it is possible for us to be ‘successful’ by some measures and in God’s name while entirely missing His point or intention. Likewise, it is possible for us to utterly ‘fail’ at something by any reasonable standard and still be doing exactly what God intends. That’s a mind and faith-bender!

–       We can learn from Christians who come from other cultures. Non-western Christians are more patient, in my experience. They are willing to wait, even in the face of overwhelming hurdles and delays, based on their understanding of God’s purposes. Americans, especially, have a culture of achievement and an innate desire to make things happen. It’s in our cultural DNA, inherited in some way from the explorers, pilgrims, and pioneers who have gone before us. We are almost unique in our independent, up-by-the-bootstraps-and-against-all-odds, attitudes. Most other cultures have more of a relational orientation and a value of community rather than the individual. This means they take a longer view and judge by other criteria than individual success in a single activity. They may even look down on individual accomplishment because it is not connected with progress of the community. We Americans have an almost religious aversion to this kind of talk; to say anything against individual initiative and success is certifiably Marxist or worse. Yet, in relational, community-focused cultures that have also embraced the gospel, I have seen and experienced what I would consider a healthy perspective on how the Kingdom moves forward. For them it’s not primarily through the faith and guts and risk and sweat of individuals. It is often by the patient faithful watching and slow, plodding obedience of the community following God together. What we might see as ‘closed doors’ they may explain as just the normal working out of the supernatural conflict that has been in process almost since the beginning of time itself. They take a step back, check on what they know about God, and keep walking forward. They don’t over-analyze or switch paths easily or quickly.

All of these ideas are ones I ponder as I work through my own film ministry here in the US and overseas. I wonder what your experience has been, or what your perspective might be on this subject? Have you experienced any of what I’m talking about?


Nollywood – There is no life without Stories

In this TED presentation, a filmmaker looks at the key to healthy society … a thriving community of storytellers

Zambia-born filmmaker Franco Sacchi discusses Nollywood, Nigeria’s booming film industry (the world’s 3rd largest) in a TED talk in Arusha, Tanzania. He created a documentary that follows a number of Nigerian filmmakers and highlights the unique voice that filmmakers have found in this developing country. His insights into the role and power of visual storytelling are intriguing to me.

“Try to imagine a world where the only goal is food and a shelter, but no stories – no stories around a campfire…It’s meaningless… I think that the key to healthy society is a thriving community of storytellers. And I think that the Nigerian filmmakers really have proved this.

Storytelling is a commodity, a staple; there is no life without stories”

Sacchi says the key to a healthy culture is the storyteller. What are we doing to bring stories to our people? What kinds of stories are we telling – stories of despair, complicity, and oppression, or justice, hope, and freedom?

Belize Benefit Screening of “The Enemy God”

Folks in Belize are rightly proud of the work they did on our film, The Enemy God. We’re pleased that they’ve selected the film as part of this special benefit festival. This is from a note we received this week from the festival Director:

THE RADISSON FORT GEORGE HOTEL, THE BELIZE INTERNATIONAL FILM FESTIVAL and the NATIONAL INSTITUTE OF CULTURE AND HISTORY are collaborating to present a selection of  films made in Belize – during the month of September, 2010 – which as you know is a month of national pride for us. All entrance  proceeds from this screening will go to the Stella Marris School of  Special Education in Belize City.

Your  film THE ENEMY GOD has been pre-selected to be a part of this special screening.

The work our K’ekchi’ Maya actors and our many other Belizean crew members did on the film is a testimony to their creativity and dedication. As indigenous people, constantly looked down-upon by others, our friends told us that the film proves that the K’ekchi’ are capable of great things. Now, once again, the people of Belize will have a chance to see the fruit of our labors together.