You Are Solving The Wrong Problem | UX Magazine

“Find a faster way to fail, recover, and try again.” Good words.

 It’s easy for me to get bogged-down with a big vision. Sometimes I respond to a great task or challenge with inaction. Maybe I can’t see the solution up-front, or perhaps I’m afraid to fail. Other times, I respond with a flurry of activity, creating a whole process and environment in which to solve the problem–but never arriving at a solution. This article talks about how important it is for us to clearly see the true problem, not the most obvious one.

It talks about Paul McCready, the inventor of the first successful human-powered airplanes, and his brilliant insight into the real problem to be solved; it wasn’t how to get a human in the air. 

There is some problem you are trying to solve. In your life, at work, in a design. You are probably solving the wrong problem.Paul MacCready, considered to be one of the best mechanical engineers of the 20th century, said it best: “The problem is we don’t understand the problem.”

Article here: You Are Solving The Wrong Problem | UX Magazine.

His bottom-line:

When you are solving a difficult problem re-ask the problem so that your solution helps you learn faster. Find a faster way to fail, recover, and try again. If the problem you are trying to solve involves creating a magnum opus, you are solving the wrong problem.

I was talking with my son recently about a college paper he needed to write. I knew that what he needed was to see the real problem, not the problem that had him stuck. He is hesitant to start down a wrong path. He wants to have it all together in advance so he doesn’t fail or waste his time. I encourage him to just get after it, write, outline, brainstorm. Encounter the hurdles, but do it aggressively, quickly. Sometimes the temptation is to finesse every sentence before moving on. That’s a killer.

The most successful projects I’ve done (and delivered on-time) are ones where I was not paralyzed by setting up the perfect system first or knowing that I was on the perfect trajectory from the beginning. I go after it, encounter failure of some sort, re-group and re-orient. That gets me there. I try (imperfectly) to apply this to my script writing, visual editing, presentations, and classes I teach. I am just as prone as my son to become paralyzed, to over analyze, and to never get started– even on something that means a lot to me.

“Find a faster way to fail, recover, and try again.”  Good words.

The Value of Microbudgets – Indie Filmmaking

Micro-budget filmmaking is all about embracing limitation and making the most of it.

How often do we either complain about lack of resources, or else never actually make anything because we’re waiting for the funds to come in? This article on Filmmaker Magazine’s blog throws down the gauntlet; just make your film; make films that make sense; you don’t have to make bad films!

The value of art lies in execution, not materials, thus, a small budget does not necessarily mean a bad film. The elements that make a film great have little to do with budget, e.g., narrative craft, camera placement, and acting. I know what you’re thinking: to place the camera a certain way, or hire a talented actor costs money — it has everything to do with budget. Sorry, I disagree. Micro-budget filmmaking is all about embracing limitation and making the most of it. Don’t have a crane or dolly? Look at the way Yasujiro Ozu utilized a static camera in virtually all his films. All you have is Uncle Bob as your lead? Look at the way John Cassavetes used non-actors. The greatest common factor of all successful micro-budget films is their potent use of available resources. Give David Lynch a cheap camera and a tiny house, and he is sure to come up with something amazing.

via THE MICROBUDGET CONVERSATION: DIRTY WORD | The Filmmaker Magazine Blog.

A Willing Heart – Joe Dawson

Mourned by his Yanomamö friends, Joe Dawson passed away on Thursday night in Coshilowateli, Venezuela.

Joe Dawson passed away on Thursday night in Coshilowateli, Venezuela. He and his wife, Millie, have lived among the Yanomamö since 1953, giving their lives to learn from,  love, and serve their adopted indigenous community. Through Joe and Millie and their 10 children, the Yanomamö in the Amazonas region came to understand that the Great Spirit that they feared as their Enemy, Yai Wanonabalewa, was really their Creator who loves them. For those who accepted this news, it meant the end of a life of constant fear and bloodshed that was driven by the spirits they possessed. Many Yanomamö today are mourning the loss of their true brother, Pepiwa (Joe’s Yanomamö nickname), but are thankful for his life.

Here’s a short documentary video featuring Joe and Millie, telling their story of how God first called them to go serve the Yanomamö. It’s part of a series that gives a background to the feature film, Yai Wanonabalewa: The Enemy God. That film tells the story of the how the Yanomamö discovered the truth about the spirits and the one Great Spirit who brought them peace.

You can find more information about The Enemy God film on DVD, including more documentary segments that tell Joe and Millie’s story on the film’s web site: www.TheEnemyGod.com

Creative Constraint – Mashable

…no matter what the resources, budget, etc. we always push ’til there’s nothing left — and then complain about the limitations.

When there are no boundaries, the possibilities may seem too large. That’s why some of the greatest art and innovation has come from a situation of constraint.

My experience has been that, no matter what the resources, budget, etc. we always push ’til there’s nothing left — and then complain about the limitations. And I know I can do this whether I’ve got a million dollars or nothing at all.

Here’s a great article about what I’d call the blessings of constraints. I say that because I know that I do my best work when I am challenged. Actually, I’m spending my days now looking for those sorts of challenges – projects that are ‘impossible’ and with huge constraints from the start. Anyone up for a Turkish action-adventure film, a Maasai Opera, or a sitcom for refugees in South Asia?

Click this link to the Mashable article: Creative Constraint: Why Tighter Boundaries Propel Greater Results.

Stick Us Next To “Stripper Academy”

I was looking at the release schedule for our film in Australia. The company that bought the DVD rights there is set to release our film mid-September, right alongside two other films, “Universal Squadrons” and “Stripper Academy”!

I’m kind of excited to be there. Rather than being stuck in a faith-based film ghetto, a unique story of God’s grace and power is getting out to places we’d hope it would go.

MissionFest Toronto – The Enemy God Screening

The Enemy God tells the amazing true story of a Yanomamö shaman and the spiritual battle for freedom for his people. If you are in the Toronto area, you won’t want to miss this special event.

We’re please to announce a special screening of our film, The Enemy God, in Toronto on February 19th. That’s next Saturday night. It is hosted by MissionFest Toronto and will be held at Catch The Fire Ministries.

The Enemy God tells the amazing true story of a Yanomamö shaman and the spiritual battle for freedom for his people. If you are in the Toronto area, you won’t want to miss this special event. Here’s what ministry leaders have said about the film:

“This is an intense film. It is sometimes graphic; sometimes heart wrenching,  but always engaging… expect to experience   a perspective you’ve  never felt before.” – Doug Lucas, Missions Leader, Team Expansion

“…the point of Shake’s testimony is very clear. Sinful man without Christ is frightening and abhorrent. Evil spirits control him. Jesus Christ brings health, peace, and prosperity, even to isolated people like the Yanomamö.” – Dr. Ted Baehr, Movieguide.org

More information about the screening can be found at: MissionFest Toronto – The Enemy God.